Pipeline Theatre Company Inc

Organization Overview

Pipeline Theatre Company Inc is located in New York, NY. The organization was established in 2012. According to its NTEE Classification (A65) the organization is classified as: Theater, under the broad grouping of Arts, Culture & Humanities and related organizations. As of 06/2022, Pipeline Theatre Company Inc employed 8 individuals. This organization is an independent organization and not affiliated with a larger national or regional group of organizations. Pipeline Theatre Company Inc is a 501(c)(3) and as such, is described as a "Charitable or Religous organization or a private foundation" by the IRS.

For the year ending 06/2022, Pipeline Theatre Company Inc generated $471.3k in total revenue. This organization has experienced exceptional growth, as over the past 7 years, it has increased revenue by an average of 29.0% each year . All expenses for the organization totaled $339.5k during the year ending 06/2022. While expenses have increased by 23.7% per year over the past 7 years. They've been increasing with an increasing level of total revenue. You can explore the organizations financials more deeply in the financial statements section below.

Mission & Program ActivityExcerpts From the 990 Filing

TAX YEAR

2022

Describe the Organization's Mission:

Part 3 - Line 1

VISION: WE BELIEVE THAT AN UNBRIDLED IMAGINATION IS A FORCE OF MAGIC WITH THE POWER TO PROVOKE A MORE COURAGEOUS AND COMPASSIONATE WORLD.MISSION: PIPELINE MAKES THEATER OF THE IMAGINATION. OUR COMPANY THRIVES ON ADVENTURE AND BELIEVES NO STORY IS WORTH TELLING WITHOUT A LITTLE RISK. WE LOVE OUR VILLAINS AS MUCH AS OUR HEROES, ESPECIALLY IN THOSE PUZZLING MOMENTS WHEN WE CANT QUITE TELL THEM APART. ABOVE ALL, WE AIM TO LEAVE YOU WITH STORIES THAT STICK SOMEWHERE IN YOUR HEART, YOUR BRAIN, OR YOUR GUTS.

Describe the Organization's Program Activity:

Part 3 - Line 4a

IN FY22, PIPELINE WAS ECSTATIC TO BE ABLE TO RETURN TO IN-PERSON PRODUCING FOR THE FIRST TIME SINCE 2019. WE PRODUCED BRUISE & THORN, WRITTEN BY C. JULIAN JIMENEZ, DIRECTED BY JESSE JOU, AND CHOREOGRAPHED BY CESAR VALENTINO. BRUISE & THORN'S TARRED FRANCISCO CONTRERAS AS BRUISE AND JAE BROWN AS THORN; COUSINS WHO ARE NUYORICAN, QUEER, AND TIRED OF THEIR JOBS AT A LAUNDROMAT IN JAMAICA, QUEENS. BRUISE IS SAVING UP TO BECOME A CHEF, AND THORN SPITS BARS ON STREET CORNERS, ONE AMERICA'S GOT TALENT AUDITION AWAY FROM BECOMING THE BORICUA NIKKI MINAJ. WHEN THE LAUNDROMAT'S BASEMENT TURNS OUT TO BE AN ILLEGAL COCKFIGHTING RING, THE COUSINS CAN'T TELL IF THIS IS AN OPPORTUNITY TO CASH OUT AND BECOME THEIR MOST FABULOUS SELVES - OR A TRAP TO KEEP THEM LOCKED INTO WHAT EVERYONE EXPECTS THEM TO BE. BRUISE & THORN RAN FOR 29 PERFORMANCES BETWEEN MARCH 4 AND APRIL 3 AT A.R.T./NEW YORK'S MEZZANINE THEATRE, AND WAS THE FIRST FULL PRODUCTION PRODUCED BY PIPELINE THAT HAD ORIGINATED IN OUR PLAYLAB (CLASS OF 2017).


PIPELINE CONTINUED WITH OUR ANNUAL PLAYLAB, DEVELOPING THE NEW PLAYS OF THREE WRITERS FROM INCEPTION TO FIRST DRAFT: 1898 BY NELSON DIAZ-MARCANO DO THIS IN [X] OF ME BY KAELA MEI-SHING GARVIN, AND RADCLYFFE AND THE ARCHIVIST BY KAIROS LOONEY. FOR THIS CLASS OF 2022, WE HELD MONTHLY MEETINGS AND THREE SPRINGBOARDS. WE WERE ALSO THRILLED TO PRESENT THEIR PLAYS IN OUR FIRST PUBLIC, IN-PERSON READINGS SINCE THE CLASS OF 2019, ALONGSIDE READINGS OF THE PLAYS FROM THOSE OF THE CLASSES OF 2020 AND 2021 WHO ELECTED TO HOLD A FINAL READING: RED CLAY HALO BY ANDY BOYD, AND NASTY YATRA BY UTKARSH RAJAWAT.


PIPELINE ALSO CONTINUED TO ENGAGE OUR COMMUNITY IN A SERIES OF COMMUNITY GATHERINGS, AS BEGIN IN FY21. COMMUNITY GATHERINGS SERVE AS A WAY FOR PIPELINE TO INCREASE ACCESS AND ACCOUNTABILITY ON EDIJ MATTERS, PROVIDE HELPFUL AND USEFUL INFORMATION TO OUR ARTISTS, AND CREATE A DIGITAL SPACE FOR US TO GATHER. FY22 COMMUNITY GATHERINGS INCLUDED THE FOLLOWING: OCTOBER 2021 - DESIGNER ROUNDTABLE: WHAT MAKES A PIPELINE PLAY, NOVEMBER 2021 - ANNUAL REVIEW & BOARD Q&A, JANUARY 2022 - ANTI-RACISM TRAINING WITH THE WOKE COACH, MAY 2022 - THE FUTURE OF THEATRE WITH FREDDY EDELHART.


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Board, Officers & Key Employees

Name (title)Compensation
Natalie Gershtein
Artistic Dir.
$25,000
Kristin Bodall
CFO
$17,250
Janice Amaya
Artist Director
$1,000
Graham Johnson
Director
$0
Lindsey Cosgrove
Treasurer
$0
Ashley Garrett
Director
$0

Financial Statements

Statement of Revenue
Federated campaigns$0
Membership dues$0
Fundraising events$0
Related organizations$0
Government grants $249,132
All other contributions, gifts, grants, and similar amounts not included above$198,347
Noncash contributions included in lines 1a–1f $0
Total Revenue from Contributions, Gifts, Grants & Similar$447,479
Total Program Service Revenue$23,802
Investment income $0
Tax Exempt Bond Proceeds $0
Royalties $0
Net Rental Income $0
Net Gain/Loss on Asset Sales $0
Net Income from Fundraising Events $0
Net Income from Gaming Activities $0
Net Income from Sales of Inventory $0
Miscellaneous Revenue$0
Total Revenue $471,281

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Atlantic Theater Company
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Signature Theatre Company
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Goodspeed Opera House Foundation Inc
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Storyville Center For The Spoken Word Inc
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State Theatre Regional Arts Center At New Brunswick Inc
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Walnut Street Theatre Corp
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Playwrights Horizons Inc
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Manhattan Class Company Inc
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Stella Adler Studio Of Acting
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Bucks County Playhouse Theater Inc
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$8,169,445
Hartford Stage Company
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$8,074,301
New York Theatre Workshop Inc
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$12,304,628
Geva Theatre Center Inc
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$6,609,789
International Alliance Theatrical Stage Employees & Moving Picture
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Two River Theatre Company
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Pittsburgh Public Theater Corporation
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$6,045,496

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